![]() Swift told Jimmy Fallon Thursday night - in so many years - that she’ll be doing it on “Saturday Night Live.” The song will be getting a lot of exposure this weekend. Read Variety‘s report on the Friday video premiere here, and our track-by-track assessment of the previously unreleased material on “Red (Taylor’s Version)” here. Taylor Swift performs #AllTooWell (10 Minute Version) at the premiere of her short film. "Wind in my hair, I was there, I remember it all too well.” The screening ended with Swift giving a live version of the song in all its 10-minute glory, accompanying herself on a red guitar. ![]() Taylor Swift performs an acoustic rendition of #AllTooWell (10 Minute Version) at the premiere of her short film. Variety’s Ramin Setoodeh, who attended the unveiling - at which attendees were handed packets tissues on the way in - described it in his account of the premiere as “like a music video on steroids meets a Noah Baumbach movie.” The short is preceded by an on-screen literary quote, from Pablo Neruda: “Love is so short, forgetting is so long.”įor the finale, Swift appears with red hair, matching the color of Sink’s in the earlier scenes - and, of course, matching the color of the newly released “Red (Taylor’s Version).”Įarlier on Friday, Swift held a premiere of the video for select fans and a few journalists at the AMC Lincoln Square 13 (which has the same number of screens as her favorite number) in New York City. It’s insane.” “You didn’t even look at me once!” a distraught Sink says. The fight that comes in a kitchen afterward is emotional, with O’Brien yelling, “Literally a moment that I don’t even fucking remember, that you’re like fucking holding me hostage over. The extended argument in the middle of the film - a sequence subtitled “the first crack in the glass” - comes after the O’Brien character lets go of Sink’s hand during a dinner party with his friends. Fans have long assumed the number is about her breakup with Jake Gyllenhaal, though she has never publicly named names. The short includes visual references to lyrical motifs that date back to the 2012 version, like a scarf the male protagonist holds onto after the breakup - O’Brien is wearing it during that climactic moment - and also fresh details from the expanded version, like Swift singing about being stood up at her 21st birthday party (an apparently real-life incident that was also the subject of another “Red” song, “The Moment I Knew”).
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